You've probably heard of Street photography, and some people know about photography, but do you know where and how this street photography began, or is it called the history of Street photography? We've talked about Street photography before. But today we will talk about the history of this street photography
Speaking of which, ‘a picture is worth a thousand words’ and street photography certainly saves this reputation. Did you know that from the beginning of the Victorian era, humanity was attracted not only to real, raw and Greek but also to modern life?
The form of photography with the camera obscura (Latin for ‘dark room’) has been around for thousands of years where the image is projected through a pin hole into a dark room or screen. Until the nineteenth century it was invented a process of ‘fixing’ the image on metal and glass plates (and later paper) which was kept for the next P for.
What we are photographing in the twenty-first century is the same as what the Victorians photographed - roads, landscapes, people, sports, steel, and so on. , The first known picture was taken in 1839 by his sister Dorothy of John Dorothy of Dorothy and the first selfie was taken in 1839 by a young man named Robert Cornelius. Decades later, the shutter speed enabled Fridge Motion, which meant that images could be taken in a few seconds longer than a fully seated person for tens of thousands of minutes (so the images of Victorians seemed a bit more erratic) and that also meant. Action shots can be taken without ambiguity
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| The First street photography |
From exclusivity to ubiquity, the definition of street photography has evolved with the advancement of technology, with the advancement of technology from the origin of its metals and glass plates to all people of all backgrounds.
The definition of street photography (or photographer) is also different from 1918 to the present day. During the Edwardian period it was a photographer who would take pictures on the street for a fee. During World War II, the format could be argued under "war photography" and possibly photographic journalism. Apart from journalists, the general public and Habitat's priorities in these difficult years did not look at their cameras as luxurious as films.
After the war, the camera's capabilities were enhanced, and its effects on specific and social documentary photography increased. Photographers such as Henry-Cartier Bresson and Diane Arbus who documented the bizarre and wonderful documentary The Day Nandin in the 1950s are probably what we are today.
Photographs become a kind of ‘memento mori’ for the past and can create a powerful mental response. Every minute and moment of life can be photographed and kept forever If we look at a photo of a twin tower with a twin tower in the backdrop of New York in the 1980s, we immediately remember the tragedy of 2001, where we were and other images of that day. Another example is Shirley Baker, a picture of children playing on the Salford Road in the 1960s. If the audience recognizes clothes, hairstyles, etc., they will remember their own childhood memories. It stimulates nostalgia within us as a system
It can be said that social and cultural demographic change has accelerated in the twentieth and twenty-first centuries, and street photography provides a wonderful (and sometimes clever) way to document our way of life for future generations. The person with the phone in hand has the ability to photograph a street scene This is the era of ‘Happy Snapper’, Instagraming every moment of life.
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